Shelly Nadashi

Images

Shelly Nadashi. Trees, 2014. Papier-mâché, wood sticks and metal stands. Variable dimensions
Trees, 2014. Papier-mâché, wood sticks and metal stands. Variable dimensions
Shelly Nadashi. Heavy Birden, 2016. Gas-fired clay and wood ash glaze. 40 x 30 x 30 cm
Heavy Birden, 2016. Gas-fired clay and wood ash glaze. 40 x 30 x 30 cm
Shelly Nadashi. Heavy Birden, 2016. Gas-fired clay and wood ash glaze. 40 x 30 x 30 cm
Heavy Birden, 2016. Gas-fired clay and wood ash glaze. 40 x 30 x 30 cm
Shelly Nadashi. Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Shelly Nadashi. Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Shelly Nadashi. Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Shelly Nadashi. Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Heavy Birden, 2016. Stainless steel, white tiles, gas-fired clay and wood ash glaze. 162 x 61 x 6,5 cm
Installation view. Shelly Nadashi. Alfred Jarry Archipelago: The Waltz of the Puppets - Act I, 2015. Le Quartier Centre d’Art Contemporain, Quimper
Installation view. Alfred Jarry Archipelago: The Waltz of the Puppets - Act I, 2015. Le Quartier Centre d’Art Contemporain, Quimper
Installation view. Shelly Nadashi. Alfred Jarry Archipelago: The Waltz of the Puppets - Act I, 2015. Le Quartier Centre d’Art Contemporain, Quimper
Installation view. Alfred Jarry Archipelago: The Waltz of the Puppets - Act I, 2015. Le Quartier Centre d’Art Contemporain, Quimper
Shelly Nadashi. Backpack, 2014. Charcoal and gouache on papir, metal frame. 77,2 x 57,2 cm
Backpack, 2014. Charcoal and gouache on papir, metal frame. 77,2 x 57,2 cm
Shelly Nadashi. Backpack, 2014. Charcoal and gouache on papir, metal frame. 77,2 x 57,2 cm
Backpack, 2014. Charcoal and gouache on papir, metal frame. 77,2 x 57,2 cm
Shelly Nadashi. Backpack, 2014. Charcoal and gouache on papir, metal frame. 77,2 x 57,2 cm
Backpack, 2014. Charcoal and gouache on papir, metal frame. 77,2 x 57,2 cm
Shelly Nadashi. Leaf Figure, 2015. Fabric on metal stand, 142 × 60 × 60 cm. Christian Andersen, Copenhagen
Leaf Figure, 2015. Fabric on metal stand, 142 × 60 × 60 cm
Installation view. Shelly Nadashi. The Exhibition Leaves, 2015. Christian Andersen, Copenhagen
Installation view. The Exhibition Leaves, 2015. Christian Andersen, Copenhagen
Installation view. Shelly Nadashi. The Exhibition Leaves, 2015. Christian Andersen, Copenhagen
Installation view. The Exhibition Leaves, 2015. Christian Andersen, Copenhagen
Shelly Nadashi. Leaves, 2015. Glazed and naked ceramic on canvas. 120 × 120 cm
Leaves, 2015. Glazed and naked ceramic on canvas. 120 × 120 cm
Shelly Nadashi. Leaves, 2015. Glazed and naked ceramic on canvas. 120 × 120 cm. Christian Andersen, Copenhagen
Leaves, 2015. Glazed and naked ceramic on canvas. 120 × 120 cm
Shelly Nadashi. Leaves, 2015. Ceramic and fabric. H. 13 cm
Leaves, 2015. Ceramic and fabric. H. 13 cm
Installation view. Shelly Nadashi. New Museum Triennial: “Surround Audience”, 2015. New Museum, New York
Installation view. New Museum Triennial: “Surround Audience”, 2015. New Museum, New York
Installation view. Shelly Nadashi. New Museum Triennial: “Surround Audience”, 2015. New Museum, New York
Installation view. New Museum Triennial: “Surround Audience”, 2015. New Museum, New York
Installation view. Shelly Nadashi. Nesting Box, 2016. Dortmunder Kunstverein, Dortmund
Installation view. Nesting Box, 2016. Dortmunder Kunstverein, Dortmund
Installation view. Shelly Nadashi. Nesting Box, 2016. Dortmunder Kunstverein, Dortmund
Installation view. Nesting Box, 2016. Dortmunder Kunstverein, Dortmund
Installation view. Shelly Nadashi. Nesting Box, 2016. Dortmunder Kunstverein, Dortmund
Installation view. Nesting Box, 2016. Dortmunder Kunstverein, Dortmund
Shelly Nadashi. Maxime au Coin, 2015 (still). HD video, 12:37 min
Maxime au Coin, 2015 (still). HD video, 12:37 min
Shelly Nadashi. Maxime au Coin, 2015 (still). HD video, 12:37 min
Maxime au Coin, 2015 (still). HD video, 12:37 min
Installation view. Shelly Nadashi. The Exhibition Leaves, 2015. Les Modules, Palais de Tokyo, Paris
Installation view. The Exhibition Leaves, 2015. Les Modules, Palais de Tokyo, Paris
Installation view. Shelly Nadashi. A Good Bowl of Soup, 2013. Sotoso, Brussels
Installation view. A Good Bowl of Soup, 2013. Sotoso, Brussels
Installation view. Shelly Nadashi. A Good Bowl of Soup, 2013. Sotoso, Brussels
Installation view. A Good Bowl of Soup, 2013. Sotoso, Brussels
Shelly Nadashi. A Hidden Quiet Pocket, 2014 (still). HD video, 19:25 min.
A Hidden Quiet Pocket, 2014 (still). HD video, 19:25 min
Shelly Nadashi. A Hidden Quiet Pocket, 2014 (still). HD video, 19:25 min
A Hidden Quiet Pocket, 2014 (still). HD video, 19:25 min

CV

Shelly Nadashi

Born 1981 in Haifa, Israel
Lives and works in Brussels

Education
2007–2009 The Glasgow School of Art - Master of Fine Art
2002–2005 The School of Visual Theatre Jerusalem - B.Ed

Solo exhibitions and performances
2018
The Avocado Vampire, Kunstraum, London
2016
Nesting Box, Dortmunder Kunstverein, Dortmund
Art Basel Miami. Solo presentation w. Christian Andersen
2015
Hide and Seekers, 1646, The Hague
The Exhibition Leaves, Christian Andersen, Copenhagen
The Exhibition Leaves, Les Modules, Palais de Tokyo, Paris
2014
A Hidden Quiet Pocket, Etablissement d'en Face, Brussels
2013
Shelly Nadashi, Centre for Contemporary Art, Glasgow
A Good Bowl of Soup, Sotoso, Brussels
A Good Bowl of Soup, Tramway Artists Moving Image Festival, Glasgow
2012
Refrigerating Apparatus, Lux & ICA Biennial of Moving Images, ICA, London
2011
Where Is Camino, WIELS, Brussels
Refrigerating Apparatus, commissioned for Performa 11 Biennial, New York
Text Me Faster Dance Company, Transmission Gallery, Glasgow
2010
New Work Scotland Programme, Collective Gallery, Edinburgh
Urlibido, Glasgow International Festival of Visual Art, Glasgow

Group exhibitions
2021
Excuse me the mess, Sihl Delta, Zürich
Lingua Franca, Barbur Gallery, Jerusalem
2016
Manifesta 11, The European Biennial for Contemporary Art, Zürich
Objects do things, Contemporary Art Ujazdowski Castle, Warsaw
De toi à la surface, Frac Île-de-France, Le Plateau, Paris
2015
Alfred Jarry Archipelago, Le Quartier Centre d'Art Contemporain, Quimper
TIMES, Christian Andersen, Copenhagen
Surround Audience - New Museum Triennial, New Museum, New York
2014
Cacaphony of Things, Temporary Gallery, Cologne
Europe Europe, Astrup Fearnley Museum, Oslo
The Hawker, dépendance at Carlos/Ishikawa, London
Significant Others, High Art, Paris
2013
Young Belgian Art Award, Bozar, Brussels

Screenings
2016
Image Generator, Extra City Kunsthal, Antwerp
2015
A Hidden Quiet Pocket, Videonale Bonn - First prize winner
2014
A Hidden Quiet Pocket, Kunsthalle Mainz, Mainz
2012
Performing Sculpture, Scottish National Gallery of Modern Art, Edinburgh
2010
Yellow Exercise, Gstaad Film Festival - First prize winner
Yellow Exercise, Glasgow Short Film Festival

Residencies
2014
Palais de Tokyo, Paris. 8 months artist residency programme
2011
WIELS, Brussels. One year artist residency programme

Selected bibliography
2015
Lauren Cornell and Ryan Trecartin. "Surround Audience", Catalogue text for Surround Audience - New Museum Trienniale
2013
Peter Wächtler. "Raise Your Horses Not Your Voices", Catalogue text for Young Belgian Art Prize
2011
Steven Cairns. "Shelly Nadashi" in Frieze Magazine (Issue 141, September 2011)