Patricia L. Boyd

Images

Installation view. Patricia L. Boyd. Ceiling Analysis, 2022. Secession, Vienna
Installation view. Ceiling Analysis, 2022. Secession, Vienna
Patricia L. Boyd. Ceiling Analysis II, 2022. Steel, aluminium, sheep wool, rope, carbine hooks, metal fixings. 260 x 603 x 75 cm
Ceiling Analysis II, 2022. Steel, aluminium, sheep wool, rope, carbine hooks, metal fixings. 260 x 603 x 75 cm
Patricia L. Boyd. Ceiling Analysis II, 2022. Steel, aluminium, sheep wool, rope, carbine hooks, metal fixings. 260 x 603 x 75 cm
Ceiling Analysis II, 2022. Steel, aluminium, sheep wool, rope, carbine hooks, metal fixings. 260 x 603 x 75 cm
Patricia L. Boyd. Untitled, 2022.  Polymer photogravure on Zerkall smooth 145gsm paper. 38 x 53,3 cm
Untitled, 2022. Polymer photogravure on Zerkall smooth 145gsm paper. 38 x 53,3 cm
Installation view. Patricia L. Boyd. Hold, 2021. Kunstverein München, München
Installation view. Hold, 2021. Kunstverein München, München
Installation view. Patricia L. Boyd. Hold, 2021. Kunstverein München, München
Installation view. Hold, 2021. Kunstverein München, München
Patricia L. Boyd. Unearthed, 2019. Weeds, canvas, plinth. 165,4 x 110,5 x 14 cm
Unearthed, 2019. Weeds, canvas, plinth. 165,4 x 110,5 x 14 cm
Installation view. Patricia L. Boyd. Me, not, not-me, 2020. Front Desk Apparatus, New York
Installation view. Me, not, not-me, 2020. Front Desk Apparatus, New York
Patricia L. Boyd. Primula japonica ‘Apple Blossom’, Lychnis flos-cuculi, Dactylorhiza purpurella, Rosa centifolia ‘Fantin Latour’, Holcus lanatus, Leucanthemum vulgare, 2019. Framed found photographs and card. 47 x 35 cm
Primula japonica ‘Apple Blossom’, Lychnis flos-cuculi, Dactylorhiza purpurella, Rosa centifolia ‘Fantin Latour’, Holcus lanatus, Leucanthemum vulgare, 2019. Framed found photographs and card. 47 x 35 cm
Patricia L. Boyd. Sweepings, 2019. Video, looped
Sweepings, 2019. Video, looped
Patricia L. Boyd. Aeron Armrest I-XII (Cell Project Space, 02/01/2019-03/17/2019), 2019. Used restaurant grease, wax, damar resin, OSB, particle board, fiber lining paper.
 175 x 121,2 x 15,8
 cm
Aeron Armrest I-XII (Cell Project Space, 02/01/2019-03/17/2019), 2019. Used restaurant grease, wax, damar resin, OSB, particle board, fiber lining paper.
 175 x 121,2 x 15,8
 cm
Installation view. Patricia L. Boyd. Wall Pieces, 2019. Christian Andersen, Copenhagen
Installation view. Wall Pieces, 2019. Christian Andersen, Copenhagen
Installation view. Patricia L. Boyd. Mechanisms, 2017. The Wattis Institute for Contemporary Art, San Francisco
Installation view. Mechanisms, 2017. The Wattis Institute for Contemporary Art, San Francisco
Patricia L. Boyd. Untitled (SL-1200MK2), 2017. Used restaurant grease, beeswax, damar resin. 30,5 x 10,2 cm
Untitled (SL-1200MK2), 2017. Used restaurant grease, beeswax, damar resin. 30,5 x 10,2 cm
Installation view. Patricia L. Boyd. Good Grammar, 2018. Potts, Los Angeles
Installation view. Good Grammar, 2018. Potts, Los Angeles
Installation view. Patricia L. Boyd. Good Grammar, 2018. Potts, Los Angeles
Installation view. Good Grammar, 2018. Potts, Los Angeles
Patricia L. Boyd. 35888, 2018. Unique silver gelatin photograms. 181 x 412 cm
35888, 2018. Unique silver gelatin photograms. 181 x 412 cm
Patricia L. Boyd. Untitled (Aeron), 2018. Used restaurant grease, beeswax, damar resin. 13,5 x 31 cm
Untitled (Aeron), 2018. Used restaurant grease, beeswax, damar resin. 13,5 x 31 cm
Installation view. Patricia L. Boyd. Operator, 2017. 80WSE, New York
Installation view. Operator, 2017. 80WSE, New York
Patricia L. Boyd. Operator, 2017 (still). HD video, color, sound. 12:56 min
Operator, 2017 (still). HD video, color, sound. 12:56 min
Patricia L. Boyd. Bürger Belga & Bulgaro, 2017. Silver gelatin photogram. 260 x 157 cm
Bürger Belga & Bulgaro, 2017. Silver gelatin photogram. 260 x 157 cm
Patricia L. Boyd. Englische People, 2017. Silver gelatin photogram. 257 x 157,5 cm
Englische People, 2017. Silver gelatin photogram. 257 x 157,5 cm
Patricia L. Boyd. Impression 37.755524 | -122.41765609999999 (1), 2015. Silver gelatin photogram. 195 x 214,5 cm
Impression 37.755524 | -122.41765609999999 (1), 2015. Silver gelatin photogram. 195 x 214,5 cm
Patricia L. Boyd. Under Glass 2, 2015. Silkscreen on paper, MDF, Optiwhite glass. 152,5 x 152,5 cm
Under Glass 2, 2015. Silkscreen on paper, MDF, Optiwhite glass. 152,5 x 152,5 cm
Patricia L. Boyd. Carl dis/assembling w/ self, 2013 (still). HD video, color, sound. 3:25 min
Carl dis/assembling w/ self, 2013 (still). HD video, color, sound. 3:25 min

CV

Patricia L. Boyd
CV

Born 1980 in London
Lives and works in New York and London

Education
2008–2009 Chelsea College of Art and Design, MA Fine Art
1999–2002 University of Oxford, BA English Literature

Solo exhibitions
2024
Good Weather, Chicago
 (upcoming)

A Sort of Carbon Paper, Rob Tufnell, London
2023
Where you lie, Reena Spaulings Fine Art, New York
2022
Ceiling Analysis, Secession, Vienna
2021

Hold, Kunstverein München, Munich
2020
Me, not, not-me, Front Desk Apparatus, New York
2019
Wall Pieces, Christian Andersen, Copenhagen
Men Assembling, Kunstverein München, Schaufenster, Munich

Inter–, Reading International, Reading

Joins, Cell Project Space, London (two-person, with Rosa Aiello) 

2018

Patricia L. Boyd, 1856, Victorian Trades Hall, Melbourne

Good Grammar, Potts, Los Angeles 

2017

Operator, 80WSE, New York 

Us, 3236RLS, London

2015

1:1, Jan Kaps, Cologne

Patricia L. Boyd, LONDON, London

Patricia L. Boyd, Kiria Koula, San Francisco 

Under Glass, TG, Nottingham

2014

Metrics, Modern Art Oxford, Oxford

CLINIC, Years, Copenhagen (two-person, with Rachal Bradley)

2013

Ovum, 0hio, Glasgow 

Nudes, Cubitt, London 

Carl dis/assembling w/self, commissioned by Frieze Foundation, EMPAC, and Channel 4 Television

2012

The Pull, The Vanity, Los Angeles

Selected group exhibitions

2025
GRAFFITI, Museion, Bolzano (upcoming)
2024

A Portrait in Fragments, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

A Reflection on the Sublime, Hiroshima City Museum of Contemporary Art

Live Stream, Fluentum, Berlin
2023
Small world, Taipei Biennale, Taiwan

Perpetual Language, Croy Nielsen, Vienna
Slow Dance (3), Stadtgalerie Bern
Frequencies (and atmospheres), Galerie Eva Presenhuber, Zurich
Looking Back / The 13th White Columns Annual
, White Columns, New York
2022

Jahresgaben 2022, The Wig, Berlin
SIREN (some poetics), Amant Foundation, New York
Grafitti, Public Access, New York
Synonyms for Sorrows, Gordon Robichaux, New York

Man’s Traces in Nature, Wschód, Warsaw
I heard myself close my eyes, then open them, Braunsfelder, Cologne

2021
The Living House, Kunstverein Braunschweig, Braunschweig
Synonyms for Sorrows, Charim, Vienna
July August September, St. Apernstrasse 13, Cologne
2020

Kasten, Stadtgalerie Bern, Bern

2019

Maskulinitäten, Bonner Kunstverein, Bonn

Studio Photography: 1887-2019, Simon Lee Gallery, New York

Absolute Thresholds, Galerie Francesca Pia, Zurich 

Who knows what the ostrich sees in the sand, Fanta, Milan

Werethings, Plan B, Berlin

2018

Other Mechanisms, Secession, Vienna

25 hr Diagram, First Continent, Baltimore

In and Out of Place, CCS Bard Hessel Museum, New York

Security Landscapes, DREI, Cologne

2017

Mechanisms, The Wattis Institute for Contemporary Art, San Francisco

An Idea of A Boundary, San Francisco Arts Commission, San Francisco

Our Words Return In Patterns, Galerie PCP, Paris

Interiors, Front Desk Apparatus, New York

2016

Le Bourgeois, 3236RLS, London

Affect and Exchange, King’s Art Place, Melbourne

2014

Representative Politics and the Politics of Representation, Steirischer Herbst, Graz

Dependency, Gasworks, London

2013

12th Lyon Biennale, Meanwhile... Suddently and Then, Lyon

How Can You Relate? A Case of Alienation and Closeness, The Showroom, London

EXCHANGE, Flat Time House, London

Waste, not., Galerie Gregor Staiger, Zurich

Curated projects

2017

AEROSOL, 500 Capp Street Foundation, San Francisco
2014

Je Suis Feministe, Penarth Centre, London (co-organised with Morag Keil, Georgie Nettell and Lena Tutunjian)
2013

Greens, The Modern Institute, Glasgow

Press

2023
Riar Rizaldi, ‘Best of 2023: 35 Directors Pick Their Favorite Films of The Year’, Films in Frame
HG Masters, ‘Taipei Biennial 2023: The Promises and Perils of a “Small World”’, Art Asia Pacific
Sean Burns, ‘Trailer for a Spectacle: Taipei Biennial 2023’, Frieze
Max Henry, ‘Correspondences: Curated by and Vienna Contemporary 2023’, Spike Art Magazine
Hana Ostan Ožbolt, ‘Patricia L. Boyd and Na Mira’, Artforum
Ted Targett, ‘Patricia L. Boyd’, Émergent
‘Shame and Composure’, Downtown Critic
Robin Waart, ’16 spaces: Patricia L. Boyd’s “Ceiling Analysis”', PW Magazine
2022

Travis Diehl, ‘Singing from Jagged Rocks’, The New York Times (No. 59, 590)
2021
Saim Demircan, ‘Remote Working’, Art Monthly

Francesco Tenaglia, ‘July, August, September’, ArtReview

'Contact Barrier', Patricia L. Boyd in conversation with Dora Budor, Mousse Magazine
Gürsoy Doğtaş, ‘Critics’ Picks: Patricia L. Boyd, Munich’, Artforum
Quinn Latimer, ‘Hush, Hold’, Texte Zur Kunst

2020

Hiji Nam, ‘Critics’ Picks: Patricia L. Boyd, New York’, Artforum

2019

Amy Budd, ‘Building Blocks: Rosa Aiello and Patricia L. Boyd’, Frieze

Emily LaBarge, ‘Rosa Aiello and Patricia L. Boyd: Joins,’ esse arts + opinions

Jack Smirthwaite, ‘Patricia L. Boyd: Inter–’, Art Monthly

2018

Annie Godfrey Larnon, ‘Openings: Patricia L. Boyd’, Artforum

Brandon Brown, ‘Mechanisms’, Art in America

Emily Watlington, ‘An Idea of a Boundary’, Brooklyn Rail

2017

Patrick Price, ‘Critics’ Picks: Patricia L. Boyd, London’, Artforum

2015

Amy Budd, ‘Excluding the Unnecessary: Patricia L. Boyd’, A-or-ist

2014

Fatima Hellberg, ‘Fatima Hellberg on “Je Suis Feministe” At Penarth Centre, London’, Texte Zur Kunst

Nick Warner, ‘Dependency’, Flash Art International

2013

Michele D’Aurizio, ‘MEET London-based artist Patricia L. Boyd’, Kaleidoscope

Collections

Institut d'art contemporain, Villeurbanne